Goddess Carly: Professional Dominatrix and Creatrix of Ritual Fantasies
"A thousand dreams that would awake me, different colours made of tears"-- The Velvet Underground: Venus in Furs
You're awake, but have you awakened? Do you find yourself craving true connection, mutual exploration, and multifaceted expression? Surrendering to your truest essence is the best gift you can give yourself, and I invite and guide you into this space of surrender.
Whether you're craving a session in one of London's prestigious dungeons, a deep conversation and psychological, philosophical exploration, or a progressive exploration of empowering surrender and control, I create the space for these goals to become manifest.
In my presence, you'll fall to your knees. In return, I'll give you something to believe in.
You've made it this far. Now, let's connect.
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About Me
I am Goddess Carly--I offer deep connection, intense-yet-playful exploration, and ritualistic dominance. I don't make demands. Instead, I inspire your submission. I encourage play, honouring the source of our personal creativity and sensuality. As an intuitive Dominatrix, I observe subtleties: what makes you tick, quickens your pulse, dilates your pupils, or drops your shoulders from your ears are nuances to which I am attuned.
I believe words, when infused with intent, contain magic. They build or destroy; we transmute and alchemise into the material through ritual and informed action.
As a classically trained coloratura soprano, I know how to make an entrance and command attention. But that was a past life, and this is now:
Iâm your statuesque Goddess; a dominant daydream. Outside of FemDom (but very much infused within my practice), I am a writer, poet, ABD postgraduate student, musician, lover of philosophy, and a scholar of the occult.
I favour little luxuries such as fine restaurants, opera, ballet, theatre, and art. I enjoy being silly and experiencing play. For me, thatâs what BDSM is about: engaging in mutual play and basking in the release that comes with such an energy exchange.
If youâre craving a severe mistress, Iâm not your dommy, though I can give soft nâ stern.
I am originally from the States, so I will consistently fail to pronounce the âhâ in âherb.â
That said, I relish a chance to indulge in accents and can give a Southern bell, Transatlantic silver screen queen, or my regular accent, which some say is rather sultry.
Goddess Carly, at first Blush
Age: 30âs (some things really do just get better with age)
Height: 5â 9â
Hair: Honey Blonde and Naturally Curly
Eyes: Blue/Green
Physique: Tall, Athletic
Favourite Cuisine: None (though GF required)
Favourite Drink: Wine, Dry Martini, or Tea. On special occasions, absinthe.
Favourite Flowers: Sunflowers
Favourite Colours: Deep Green, Black, Purple
Favourite Fetish: Foot Worship and Trampling
Favourite Instrument: Riding Crop
Favourite Fabric: Silks and leather
Favourite Fragrance: She was an AnomalyâETAT LIBRE D'ORANGE
Hungry for more?
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FAQ's
"How do I book a session with you?"I am selective about who I play with. You may apply to serve Goddess Carly here. If I feel you are worthy of my time, I will contact you via email to schedule a video consultation. An application does not guarantee a session.
Discretion is a priority, as I honour the trust, collaboration, and exchange of time and energy.
"What does an ongoing D/s dynamic look like?"Through our consultation, we will establish this dynamic together. I require for you to have some base emotional intelligence, for your own wellbeing. I require you to be well-aware of your hard and soft limits. I expect for you to be able to communicate your desires and your limits. We draw up a play book and a code of conduct together. If you are selected for play... well, the rest is up to me...If you're still searching for more info, peruse my Blog
Contact Goddess Carly
You've made it this far. Now, let's connect.
Blog (Penne for My Thoughts)
Goddesses and Hollywood: Modern Myth and Goddess Worship
Lights! Camera! Worship. The mythic spectacle of Hollywood has not only continued myth's dissemination of meaningful stories, archetypes, and motifs, the industry has ushered myth into the digital age and expanded myth's collective semiotic territory. With this digital era, Hollywood expanded our veneration of mythical archetypes. Movie stars and celebrities who transcend their name and fame cement themselves in a societyâs collective psyche, as gods and goddesses did in pantheistic myths of old. From Marilyn Monroe (the emblematic âBlonde Bombshell") to Beyonce, (referred to colloquially as "Queen Bâ). Peter Grey ponders âwhat are they other than gods and goddesses for the modern age?â (The Red Goddess, p. 178). Grey identifies the Hollywood star cosmos as one which is brimming with carefully curated and elevated archetypes that are constructed by PR teams, visual effects, make-up (sometimes plastic surgery), lighting, curated content (i.e. film, script, music, speeches), and magick (Grey, 178).
Greyâs insights into modern myth are certainly not isolated or wholly unique. Scholars like Christine Keating, Chiara Bottici, and Marta Weigle have remarked upon modern myth and all have emphasised the need for present myth-making. The imperative is clear: Myth is nowâalong with the magic that has accompanied mythical figures since recorded history--the world is certainly not less enchanted, though dominant myths have to contend with the myth of disenchantment. As figures of myth, Celebrities are elevated above society (the Latin prefix, celeber means honoured): embodying a place between the celestial and terrestrial world much like the daimons in the Platonic and Neoplatonic cosmology. A Hollywood Starsâ placement in modern societal cosmology is further reinforced by the very words used to refer to these elevated individuals. They are viewed and perceived through an intermediary inhabitation: visible but distant; from not of us...
From these Cosmic Rays, stars' personas are selectively revealed, giving the public just enough access to form intrigue and participate in that celebrity's myth through attention, storytelling, and communal maintenance of that personaâs archetype (see Georg Simmel on the topic). Truly, it takes a village to create a deity. Often, the essentialising of a person into an archetype is double-edged, as it simultaneously elevates the person, affording them more power and proximity to a central paradigm while disallowing (either through negligence of recognition or through abject denial) deviance from prescriptions of that personâs archetypal trappings. The practice of essentialism has and continues to impact the subjects involved in the collective's myth-making:
A clear example can be seen with Britney Spears' much-publicised 2007 breakdown, wherein Spears famously shaved her head. Spears later stated this was an act of defiance and an assertion of her personhood after enduring prolonged periods of public scrutiny over her appearance, Spears sensing a lack of control over her own personhood. The signature long, blonde hair, to Spears, was âher most recognised feature.â Shaving this alchemised her disempowerment into an act of reclamation: she symbolically shed her proverbial skin and dissented from upholding the myth prescribed to her persona. Spears' autonomy was reclaimed from the masses and the authority figures who had dictated Brittneyâs behavioural expectations.
The reaction to Spears' aberration is telling of how dominant powers can (& do) weaponise myth to uphold dominant systems and structures while punishing those who deviate from idealised roles imposed upon a figure. Spears' aberrant action wildly deviated from the âpop princessâ archetype, so the media (a main vehicle of celebrity myth-making and reinforcement) galvanised to eviscerate Spearsâ character, spurring public condemnation, aiding in the manufacturing of public consent for Spears' conservatorship, and cementing the control of Spears' person and deviance. Under patriarchal myth, the punishment for dissent led to Spears' âfallâ from Hollywoodâs soaring heights. In a fate hearkening to that of Adam's first wife, Lilith, Spears faced demonisation and ostracisation for rejecting the limiting role imposed upon her person. While the punitive cost of dissent was steep, Britney Spears (consciously or unconsciously) created a loop hole in her dominant myth-cycle through direct confrontation of her persona's representation in the public and participation in her own myth-making.
A Goddess reclaims her autonomy through rejection of an expected order; by creating new meaning.
